- The Secret to Shooting Sunsets
- Cutting Reflections in Water
- For Landscapes, You Need a Clear Subject
- Using Your LCD Monitor Outdoors
- How to Shoot a Panorama That Works
- How to Have Photoshop CS3 Put It Together
- Shoot Fast When Shooting Landscape Panos
- A Timesaving Pano Trick
- The Trick for Using a Fisheye Lens
- When to Shoot Streams
- Dont Stop Shooting at Sunset
- How to Shoot Fog
- Getting Shots of Lightning (Manually)
- Getting Shots of Lightning (Automatically)
- A Trick for Shooting Great Rainbows
- Removing Distracting Junk
- Where to Focus for Landscape Shots
- Find the Great Light First
- How to Shoot on a Gray, Overcast Day
- A Trick for Great-Looking Flower Shots
- The Full-Frame Camera Advantage
How to Shoot on a Gray, Overcast Day
This one might sound kind of obvious when I say it, but I can’t tell you how many times I’ve been out shooting with a group and one or more people in the group has come up and said, “Well, the sky is totally messing up our shoot today.” While a gray sky definitely stinks, there is something you can employ for shooting on gray-sky days, and that is simply to compose so little (or none) of that gray sky winds up in your shots. If you go into the shoot knowing that you’re going to do your best to avoid seeing the sky in any of your shots, you can then get all of the benefits that a gray sky usually brings, which are colors that are actually fairly saturated and softer shadows throughout your images. You probably won’t be able to fully eliminate the sky from your photos, so just compose your shots so the amount of sky you do see is kept to a minimum. This simple technique has saved many a shoot.