Lessons from Behind the Lens of a Legendary Wildlife Photographer: In All Honesty, This Is Really Just a Starting Point
This chapter is from the book
This chapter is from the book
This chapter is from the book
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âWhat the hey? Whatâs with the Moose history lesson?â Well, looking at other photography books, and looking at my own from the past, they all have the same basic thread to them: f-stop, shutter speed, Nikon or Canon, this lens or that, blah, blah, blah. There is so much more to photography, and thatâs what I want to bring to you. As Sally Field said, âPeople are meant to grow old, and with that age comes wisdom meant to be passed along.â
There is a history that comes into play with every click, no matter whether youâve never made a click before or youâve been doing it for decades. If you donât understand where Iâve come from, you surely wonât get where Iâm at, nor where Iâm going. You especially wonât understand where I want to take you.
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Itâs the logic behind my thought process that I need you to understand (thatâs a scary prospect!). To do so, youâve gotta know the facts on which I base that logic, hence the history lesson. I only have so much space here to share my experiencesâones on which my logic is based. Hopefully Iâve chosen correctly, so they illustrate my points.
Remember, youâve gotta be true to your own images. The last thing I want to create is a bunch of Moose clones (God forbid). Itâs very important that you read what I have to offer, take what works for you, and apply it to your photography. Everything else? Throw it away, fast! Iâm not an expert, donât pretend or want to be, and I certainly do not have all the answers. I do have answers, though, that work for me, and that Iâve learned up to this point. Thatâs what Iâm sharing here with you (it means Iâm constantly learning, which is cool). You shouldnât have to reinvent the wheel in this day and age.
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I bring this up because Iâm about to delve into camera gearâphotographersâ favorite conversational topic. Iâve actually been talking about it from the beginning, but not in specific terms, and certainly no recipes. You have to understand that, from where I sit, I feel the best, most important pieces of equipment lie between your ears and in your chest. The first few chapters were all about your mind and heart, and making them the best they can be, setting the groundwork for the years to come. Someday, weâll insert a little card behind our ear, pull on our ear, and weâll be able to record what weâre seeing and feeling. But for right now, we have to depend on camera gear, so thatâs where the story heads next.
The lessons I learned from my early years (and learn to this day) prepared me, so when I go out to photograph birds, mammals, landscapes, people, fashion, products, planesâyou name itâI do a good-to-great job. Each and every time I pick up the camera and venture out with it, I have (and still do) learned something new. I donât have all the answers, but without this foundation, I have no way of improvingâI have no comparison to see if I improved, how I improved, and what needs improving. And without this foundation, there is no way youâll understand what Iâm talking about from here on in. Itâs one of the most important lessons the biologists taught me, and itâs simply called baseline data.
The Bag of Confidence
I coined this phrase back in â94, when I was the nature columnist for Popular Photography. The camera gear you take with you on your adventures, that you labor so hard to buy, is the vehicle for capturing what you see and feel, so you can share your visual journey with the rest of us. This is not to be taken lightlyâthis is a big responsibility not to be left to some review on the Web (or video on some guyâs blog). This is a very personal thing that your photography demands you think through, so you are true to your own visual belief.
- âIf a piece of gear isnât producing, just like an employee, it has to be reviewed and the decision made to keep it or let it go.â
âYeah, yeah,â you say. âYouâve got all that gear, so itâs easy for you to say.â The reality is that I donât have all that much gear quantity-wise. But, what I do have is the top of the line, so it cost me dearly. When it comes to the number of lenses and bodies I have in my camera bag, I donât have much. That combo of being costly and not having much means that each piece of gear that I do own has to pull its weight and then some. What do I mean by that?
When folks look at my blog, or BT Journal, or even this book, itâs easy for them to lose sight of the fact that I am a businessman, and that my images provide the income to keep a household running. Like any business, expenses and investments must be scrutinized so the business keeps moving forward. The capital investment in equipment gets the most scrutiny, because of both its expense and its role in producing the images required to keep the business going. If a piece of gear isnât producing, just like an employee, it has to be reviewed and the decision made to keep it or let it go. This is one of many reasons I envy the âweekend warriorâ at times, because he can buy what he wants and have no financial stake if the lens or body isnât pulling its weight.
When I leave the office to shoot, be it around the corner or across the country, I have to have the gear I need to make the images happen. This is obvious. What is not obvious is just what that combo of gear might be. Whatâs also not obvious is that the answer to this question comes over time.
âWhoa,â youâre saying. âTime? I never saw any camera manufacturer selling thatâ (I wish someone did). Time, which really means: the compacting of all the experiences youâve learned from and can repeat again and again successfully. The size and content of my camera bag has the normal ebbs and flows, like that of any photographer, starting with just one lens, then getting overinflated with way too much, to the size it is now, which is just the right amount (see Appendix 1). Getting a bag of confidence to that size requires that hidden ingredient of success: time.
So when I leave on an adventure or project, I have with me the gear I require for the task at hand (I do have those senior moments when I forget something. But I do have it to forget). Thatâs the place I want to help you get to. Time, and money for that matter, is too precious to be wasted with the silly games of âthis piece of gear or that brandâ is better than the other. When you move beyond those games and read every review on a piece of gear is when youâll know you are at a good place in your photography and you have in your camera bag what you need. You need to know that whatâs in your camera bag is the gear for you and your photography. Itâs gotta be your bag of confidence.