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- Before You Color Correct Anything, Do This First!
- The Advantages of Adjustment Layers
- Photo Quick Fix
- Getting a Visual Readout (Histogram) of Your Corrections
- Color Correcting Digital Camera Images
- Daves Amazing Trick for Finding a Neutral Gray
- Studio Photo Correction Made Simple
- Drag-and-Drop Instant Color Correction
- Adjusting Flesh Tones
- Warming Up (or Cooling Down) a Photo
- Color Correcting One Problem Area Fast!
- Getting a Better Conversion from Color to Black and White
- Correcting Color and Contrast Using Color Curves
This chapter is from the book
This chapter is from the book
This chapter is from the book
This chapter is from the book
Drag-and-Drop Instant Color Correction
Here’s a trick for quickly correcting lots of photos that have the same lighting problem. It’s a huge time saver! You’ll see that it’s ideal for photos where your lighting conditions were the same (indoor studio shots are perfect candidates for this one), but it works in plenty of other situations, as well.
- Step One: First, here’s a tip-within-a-tip: If you’re opening a group of photos, you don’t have to open them one by one. Just go under the File menu and choose Open. In the Open dialog, click on the first photo you want to open, then press-and-hold the Ctrl (Mac: Command) key and click on any other photos you want to open. Then, when you click the Open button, Elements will open all the selected photos. (If all your photos are contiguous, press-and-hold the Shift key and click on the first and last photos in the list to select them all.) So now that you know that tip, go ahead and open at least three or four images, just to get you started.
- Step Two: At the bottom of the Layers palette, click on the Create New Adjustment Layer pop-up menu and choose Levels. Note: An adjustment layer is a special layer that contains the tonal adjustment of your choice (such as Levels, Brightness/Contrast, etc.). There are a number of advantages to having this correction applied as a layer, as you’ll soon see, but the main advantage is that you can edit or delete this tonal adjustment at any time while you’re working, plus you can save this adjustment with your file as a layer.
- Step Three: When you choose this adjustment layer, you’ll notice that the Adjustments palette appears with your Levels controls. Go ahead and make your corrections using Levels (see “Color Correcting Digital Camera Images” earlier in this chapter). In the Layers palette, you’ll see that a new Levels adjustment layer is created.
- Step Four: Because you applied this correction as an adjustment layer, you can treat this adjustment just like a regular layer, right? Right! And Elements lets you drag layers between open documents, right? Right again! (Note: You must have them open as floating, not tabbed, documents to drag a layer between them.) So, go to the Layers palette, click on the Levels adjustment layer, and drag-and-drop it right onto one of your other open photos. That photo will instantly have the same correction applied to it. This technique works because you’re correcting photos that share similar lighting conditions. Need to correct 12 open photos? Just drag-and-drop it 12 times (making it the fastest correction in town!).
- Step Five: Okay, what if one of the “dragged corrections” doesn’t look right? That’s the beauty of these adjustment layers. Just click directly on the adjustment layer thumbnail for that photo, and go to the Adjustments palette, where the last settings you applied are still in place. You can then adjust this individual photo separately from the rest. Try this dragging-and-dropping-adjustment-layers trick once, and you’ll use it again and again to save time when correcting a digital roll that has similar lighting conditions.
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