␡
- CHANGING LAYER STACKING ORDER
- DRAWING MULTIPLE CONSECUTIVE LAYERS
- LAYERS LIKE YOU LIKE 'EM
- TAKING PREVENTATIVE MEASURES
- MOVIN' AND GROOVIN' AND LAYIN' TO THE BEAT NOW
- NO SPECIAL MAGIC REQUIRED
- PUT THOSE LAYERS IN THEIR PLACE
- SUPER SIZING LAYERS
- NO TRESPASSING
- NESTING URGES
- THE OBVIOUS ESCAPES US SOMETIMES
- CHANGE LAYER CONTENTS
- INSERT DIV TAG
- FRAMESETS-A-PALOOZA
- SPLITS ARE ALL RELATIVE
- QUICK DRAW FRAMESETS
- WHY SO BLUE?
- GETTING IN TOUCH WITH YOUR INNER FRAMESET
- PLAYING THE FRAME NAME GAME
- A FRAMESET BY ANY OTHER NAMESET
- KEEPING FRAMES IN THEIR PLACE
- HELP, I'VE BEEN FRAMED, AGAIN!
- TARGETING MULTIPLE FRAMES
- OODLES OF UNDO-ODLES
- CREATING ACCESSIBLE FRAMES
- DÉJÀ VU FRAMES
- THE GUIDING LIGHT
This chapter is from the book
This chapter is from the book
This chapter is from the book
This chapter is from the book
WHY SO BLUE?
Ever wonder why the icons representing the Frame objects found in the Layout category of the Insert bar look the way they do? Every icon has one area shown in a light blue color. Sure, it's stylish—but it's also purposeful. The blue area represents where the current page is placed when a Frame object is applied. So the first icon, called Left Frame, places your existing content on the right and the second icon, called Right Frame, puts the current page on the left. I find the object names somewhat misleading (yeah, like BMW's are somewhat expensive), so I just go by the icon to pick the style I want.
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Figure
5.15