- Dodging, Burning, and Adjusting Individual Areas of Your Photo
- Retouching Portraits in Camera Raw
- Fixing Skies (and Other Stuff) with the Graduated Filter
- Special Effects Using Camera Raw
- Fixing Color Problems (or Adding Effects) by “Painting” White Balance
- Reducing Noise in Just the Shadow Areas
- How to Get More Than 100% Out of Any Adjustment Brush Effect
- Photoshop Killer Tips
This chapter is from the book
This chapter is from the book
This chapter is from the book
Fixing Color Problems (or Adding Effects) by “Painting” White Balance
This is the first version of Camera Raw that lets us paint with white balance, and of all the new things added to Camera Raw, believe it or not, this is one you’ll probably wind up using the most. It’s pretty common to have a natural light photo where part of the photo is in shadows, which usually means the parts in daylight have one color, and the parts in shadows are usually bluish (especially if you use Auto White Balance, which most of us do, because it works pretty well for most situations). Here’s how to paint with white balance to make all the color in your image consistent:
Step One:
Here’s a location portrait, where our subject has a nice warm skin tone (partially because I put an orange gel over the off-camera flash), but take a look at the background behind her—the street and buildings are in the shade and that makes them look blue (like it was taken at dawn), even though it was taken at sunset. If I try to warm up the white balance, she is going to turn really yellow. Luckily, now we can adjust the white balance in just one area.
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Step Two:
Get the Adjustment Brush (K), click on the + (plus sign) button to the right of Temperature (this resets all the other sliders to 0 and sets the Temperature to +25), and start painting over these bluish background areas (as shown here). Once you’ve painted over them, you can adjust the Temperature slider (drag to the right to warm up the color and make this area less blue, as I did here, or to the left if the default setting of +25 makes things too warm). This is the beauty of using the Adjustment Brush for this—once you paint over the bluish area, you can “dial in” just the right amount of white balance correction by dragging the slider after you’ve painted. Now the street looks more neutral, and I also painted over the sky a bit to make it even more “sunsetty” (I know—that’s not really a word). I also decreased the Highlights a bit to finish it up.
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