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on the glasses. He switched to the Impressionist variant of the Artists brush
to paint on the sand and water, and then painted spontaneous, textured squiggles
around the TV and on the sand and water with the Artist Pastel Chalk variant of
Dry Media using the Big Canvas paper (loaded from the More Paper Textures library,
in the Paper Texture Libraries folder, on the Painter 6 CD-ROM). As a final touch,
Dismukes switched to the Grainy Water variant of Liquid. To smear while revealing
texture, he changed the subcategory to Grainy Hard Cover in the General section
of the Brush Controls palette and added the smudges and blurs on the sand and
television.
Finishing the job. Using the same style, technique, tools and colors, Dismukes created similar illustrations on a smaller scale that were used throughout the brochure, as well as a border around the edge of the piece.
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[Part 4 of 5]
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| Adding squiggles and lens
glare (top) and smudges and blurs |
Finishing the job. Using the same style, technique, tools and colors, Dismukes created similar illustrations on a smaller scale that were used throughout the brochure, as well as a border around the edge of the piece.
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