- The Secret to Shooting Sunsets
- Cutting Reflections in Water
- For Landscapes, You Need a Clear Subject
- Using Your LCD Monitor Outdoors
- A Trick for Shooting Great Rainbows
- A Timesaving Pano Trick
- The Trick for Using a Fisheye Lens
- When to Shoot Streams
- Don't Stop Shooting at Sunset
- How to Shoot Fog
- Getting Shots of Lightning (Manually)
- Getting Shots of Lightning (Automatically)
- Where to Focus for Landscape Shots
- Find the Great Light First
- How to Shoot on a Gray, Overcast Day
- A Trick for Great-Looking Flower Shots
- The Full-Frame Camera Advantage
- The Seven Deadly Sins of Landscape Photography
- Landscape Sin #1: Choppy Water
- Landscape Sin #2: Frozen Water in Waterfalls
- Landscape Sin #3: Bald, Cloudless Skies
- Landscape Sin #4: Harsh, Midday Sun
- Landscape Sin #5: A Crooked Horizon Line
- Landscape Sin #6: Distracting Junk Near Edge
- Landscape Sin #7: No Foreground Object
- And...Dead Trees and Tree Stumps...And...
How to Shoot on a Gray, Overcast Day
This one might sound kind of obvious when I say it, but I can’t tell you how many times I’ve been out shooting with a group and one or more people in the group has come up and said, “Well, the sky is totally messing up our shoot today.” While a gray sky definitely stinks, there is something you can employ for shooting on gray-sky days, and that is simply to compose so little (like the shot you see here) or literally none of that gray sky winds up in your shots. If you go into the shoot knowing that you’re going to do your best to avoid seeing much of the sky in any of your shots, you can then get all of the benefits that a gray sky usually brings, which are colors that are actually fairly saturated and softer shadows throughout your images. You probably won’t be able to fully eliminate the sky from your photos, so just compose your shots so the amount of sky you do see is kept to a minimum. This simple technique has saved many a landscape shoot.