- The Secret to Shooting Sunsets
- Cutting Reflections in Water
- For Landscapes, You Need a Clear Subject
- Using Your LCD Monitor Outdoors
- A Trick for Shooting Great Rainbows
- A Timesaving Pano Trick
- The Trick for Using a Fisheye Lens
- When to Shoot Streams
- Don't Stop Shooting at Sunset
- How to Shoot Fog
- Getting Shots of Lightning (Manually)
- Getting Shots of Lightning (Automatically)
- Where to Focus for Landscape Shots
- Find the Great Light First
- How to Shoot on a Gray, Overcast Day
- A Trick for Great-Looking Flower Shots
- The Full-Frame Camera Advantage
- The Seven Deadly Sins of Landscape Photography
- Landscape Sin #1: Choppy Water
- Landscape Sin #2: Frozen Water in Waterfalls
- Landscape Sin #3: Bald, Cloudless Skies
- Landscape Sin #4: Harsh, Midday Sun
- Landscape Sin #5: A Crooked Horizon Line
- Landscape Sin #6: Distracting Junk Near Edge
- Landscape Sin #7: No Foreground Object
- And...Dead Trees and Tree Stumps...And...
This chapter is from the book
This chapter is from the book
This chapter is from the book
When to Shoot Streams
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If it’s a gray, cloudy, rainy day (I don’t mean pouring rain—a light drizzle or soft rain), then head to a local stream, because you’re about to make some magic. The overcast, cloudy, rainy sky does two things that make it ideal for shooting streams: (1) it makes the rocks, leaves, and everything sticking out of the stream nice and wet, which looks great in stream photographs, and (2) it makes the scene much darker (and the darker it is while still daylight, the better), which lets you use long shutter speeds, and it’s those longer shutter speeds that give the stream that wonderful silky-water effect. Try shooting in aperture priority mode, and set your aperture (f-stop) to f/22 (or a higher number if your lens has it). With this darker sky, f/22 will leave your shutter open long enough to give you that silky-water look. The shot above was taken on a drizzly afternoon where there was literally nothing else to shoot, and shooting at f/22 in the forest, under that dark, cloudy sky, left my shutter open for 13 seconds (in aperture priority mode, you pick the f-stop and then your camera will leave the shutter open for however long it takes to get the right exposure—in this case, I stood there in the gentle rain for 13 seconds. How do you like the way that phrase “gentle rain” made the experience sound? Actually, I was cold and wet, but cold, annoying rain just doesn’t paint a pretty picture—but the camera sure captured one).