This chapter is from the book
Conclusion
With these four adjustment layers and a handful of filters, you can do nearly all the major edits needed for seamless work—from matching any layer’s look with another to synching lights, darks, and color. You can correct a multitude of discrepancies and even improve the overall look and feel of a composite with greater depth or motion. As you will see in later chapters, these adjustment layers and filters will help tremendously in just about any situation.
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