- Making Your RAW Photos Look More Like JPEGs
- Setting the White Balance
- Setting Your White Balance Live While Shooting Tethered
- Seeing Befores and Afters
- My Editing Your Images Cheat Sheet
- Controlling Overall Brightness Using the Exposure Slider
- Automatically Matching Exposures
- 60 Seconds on the Histogram (& Which Slider Controls Which Part)
- Auto Tone (Having Lightroom Do the Work for You)
- Dealing With Highlight Problems (Clipping)
- Opening Up the Shadows (Like "Fill Light" on a Slider)
- Setting Your White Point and Black Point
- Adding "Punch" to Your Images Using Clarity
- Making Your Colors More Vibrant
- Adding Contrast (and How to Use the Tone Curve)âThis Is Important Stuff!
- Applying Changes Made to One Photo to Other Photos
- Auto Sync: Perfect for Editing a Bunch of Photos at Once
- Using the Library Module's Quick Develop Panel
- The "Previous" Button (and Why It Rocks!)
- Putting It All Together (Doing a Start-to-Finish Tweak)
- Lightroom Killer Tips > >
This chapter is from the book
This chapter is from the book
This chapter is from the book
Making Your Colors More Vibrant
Photos that have rich, vibrant colors definitely have their appeal (thatâs why professional landscape photographers got so hooked on Velvia film and its trademark saturated color), and although Lightroom has a Saturation slider for increasing your photoâs color saturation, the problem is it increases all the colors in your photo equallyâthe dull colors get more saturated, but the colors that are already saturated get even more so, and well...things get pretty horsey, pretty fast. Thatâs why Lightroomâs Vibrance control may become your Velvia.
Step One:
In the Presence section (at the bottom of the Basic panel) are two controls that affect the color saturation. I avoid the Saturation slider because everything gets saturated at the same intensity (itâs a very coarse adjustment). In fact, I only use it to remove colorânever to add it. If you click-and-drag the Saturation slider to the right, your photo gets more colorful, but in a clownish, unrealistic way. Hereâs our original image (a photo of my house) with no color boost (just seeing if you were paying attention). The sky is kind of âmehâ and dull (colorwise), and the roof of the church is kind of washed-out looking, too, but at least the trees look okay.
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Step Two:
When you see a dull sky, a washed-out roof, a lifeless, monotone-looking color image, thatâs a job for the Vibrance slider! Hereâs basically what it does: It boosts the vibrance of any dull colors in the image quite a bit. If there are already saturated colors in the image, it tries not to boost them very much, so things donât get too vibrant. Lastly, if your photo has people in it, it uses a special mathematical algorithm to avoid affecting flesh tones, so the skin on your people doesnât start to look too colorful (of course, that doesnât come into play in this particular image). Anyway, using Vibrance gives a much more realistic-looking color boost than youâd ever get from Saturation. I pushed it pretty far here, but in my own workflow, Iâm usually between 10 and 25 for my Vibrance amount, and only if I have an image that I think needs it.
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