- THE TRICK TO TRICKY
- LIVE PATCHING PREVIEW
- ZOOMING ALL YOUR TILED IMAGES AT ONCE
- FINDING THE PHOTOGRAPHIC BRUSH TIPS
- HOW TO DUPLICATE A COLOR STOP
- REMOVING EDGE FRINGE WHEN COLLAGING
- CRACKING THE EASTER EGG MYSTERY
- SUPERCHARGE YOUR FILTER EFFECTS
- UNDO ON A SLIDER!
- GETTING TO THE FOLDER OF PHOTOS YOU WANTFAST!
- TWO FILES ARE BETTER THAN ONE
- RESIZING PATHS THE EASY WAY
- THE GAUSSIAN BLUR KEYBOARD SHORTCUT
- THE ADVANTAGE OF PHOTO FILTER ADJUSTMENT LAYERS
- WHERE TO SET CUSTOM VIEW SIZES
- MOVING YOUR IMAGE IN FULL SCREEN MODE
- DON'T RANK ITFLAG IT
- PHOTO-RETOUCHING SAFETY TIP
- PHOTOSHOP'S HIDDEN STEP AND REPEAT
- PAUSING FOR A BRUSH PREVIEW
- THE UNDOCUMENTED AIRBRUSH TOGGLE TRICK
- GIVE MOST ANYTHING A KEYBOARD SHORTCUT
- NO MORE UNLOCKING A BACKGROUND COPY
- SWAPPING CROP FIELDS
- LET THOSE WINDOWS BREATHE!
- THE MULTIPLE UNDO SHORTCUT
- WANT ARROWHEADS? PHOTOSHOP CAN ADD THEM FOR YOU!
- GETTING TO THE FREE TRANSFORM TOOL'S POP-UP LIST
- DRAGGING AND DROPPING WHERE YOU WANT
- CUSTOM BRUSHES DON'T HAVE TO BE SQUARE ANYMORE
- FEATHER A SELECTION WITHOUT THE GUESSING GAME
- CREATING A FLATTENED VERSION OF YOUR LAYERED IMAGE
- IF IT'S NOT SQUARE, YOU CAN STILL CROP IT
- TOP-SECRET PHOTOSHOP SPLASH SCREEN
- FALL IN LOVE WITH A TEMPORARY BRUSH, OR NOT
- UNDO A SAVE? THAT'S IMPOSSIBLE, ISN'T IT?
- MAKE A PHOTOSHOP CLIENT PRESENTATION
- CHANGE BRUSH SOFTNESS ON THE FLY
- LIGHTS, CAMERA, ACTION: SLIDE SHOWS USING PHOTOSHOP
- HOW TO CORRECT ONE PROBLEM COLOR
- BUILDING A BETTER BACKGROUND ERASER TOOL
- GETTING SIDE-BY-SIDE PREVIEWS
- CUSTOM BRUSHES: START WITH A CLEAN SLATE
- TIMING IS EVERYTHING!
- INSTANT THUMBNAIL SIZE CONTROL
- BRING UP YOUR LAST PREFERENCE
This chapter is from the book
This chapter is from the book
This chapter is from the book
HOW TO CORRECT ONE PROBLEM COLOR
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Let's say you have an image, but the sky doesn't look as vibrant as you'd like, and you want to increase the amount of blue without affecting the rest of the image. Try this on for size: Open an image that contains a daylight sky. Click on the New Adjustment Layer icon at the bottom of the Layers palette. In the pop-up menu, choose Color Balance. In the Color Balance dialog, drag the Blue all the way to the right (it looks bad now, but trust me), and click OK. Now, switch to the Brush tool. Press the letter “d” until your Foreground color is black, and with a large, soft brush, start painting over the areas you don't want blue. As you paint, the blue Color Balance you added is painted away. The sky is much bluer, but you can paint away the added blue from the other areas. To really see the before/after difference, click the Eye icon next to the Adjustment layer.
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