- Photo Inside of Type
- Start with a Font
- Mapping Made Easy
- Find Your Favorite Logo?
- Change Star Shape, Part One
- Change Star Shape, Part Two
- Send Up a Flare
- Permanent Pathfinder
- Spray On, Spray Off
- Years in Graph Data
- Thats Out of One Hundred
- Edit Graph Designs
- Sliding Graph Designs
- Drag-and-Drop Instead of Copy-and-Paste
- Change Tool Settings on the Fly
- Make Your Own Spirograph
- Convert to Shape
- Let the Blend Tool Do the Math
- More Blending
- Yet More Blending
- Bend the Blend
- Shapes Around a Circle
- Change the Blend
- Outline Stroke
- Live Trace Not Working How Youd Like? Try This
- Is Live Trace Still Not Working How Youd Like? Take It a Step Further
- Viewing Reference Photos When Using the Mesh Tool
- Gradient Brushes
- Divide Objects Below
- Change Grids on the Fly
- Live Interlocking Objects
- Live Interlocking Objects, Part 2
- Creating Wireframes
- Add to a Shape to Create a Shape
- Move Points as You Draw
- Auto Add/Delete Getting in Your Way
- Multiple Objects as a Mask
- Round Those Corners
- Same Width and Height
- Changing Arcs
- Close a Path Automatically
- Preserve Brush Stroke Options
- Disable Auto Add/Delete
- Split into Grid
- The Perfect Star
- Target Practice
- Opacity Masks
- Vintage Texture Effect
Viewing Reference Photos When Using the Mesh Tool
Here’s a great tip for working with the Mesh tool (U). Often, illustrators will use a reference photo as a starting place to create their work. Well, if you’re using the Mesh tool, it can often be useful to switch between Outline and Preview modes because the colors you’re adding may cover up the reference photo. Here’s the tip: Be sure that when you bring your reference photo into Illustrator, that you place it as a template layer. This will ensure that you’re able to view it in Outline mode. If not, when you switch to Outline mode, all you’ll see are the outlines and no photo.