Shoot Weddings Like a Pro: There Is No Retaking Wedding Photos. It’s Got to Be Right the First Time!
- The Trick for Low-Light Shooting in a Church
- Getting Soft, Diffused Light with Flash, Part 1
- Getting Soft, Diffused Light with Flash, Part 2
- Use Your Flash at Outdoor Weddings
- Keep Backup Memory Cards on You
- Formals: Who to Shoot First
- Formals: Where to Aim
- The Trick to Keeping Them from Blinking
- Reception Photos: Making Them Dance
- Your Main Job: Follow the Bride
- Formals: How High to Position Your Camera
- Formals: Dont Cut Off Joints
- Formals: Build Off the Bride and Groom
- Formals: The Trick to Great Backgrounds
- Shooting the Details (& Which Ones to Shoot)
- Change Your Vantage Point to Add Interest
- Finding That Perfect Bridal Light
- How to Pose the Bride with Other People
- What to Shoot with a Wide-Angle Lens
- Back Up Your Photos Onsite
- If Shooting JPEGs, Use a Preset White Balance
This chapter is from the book
This chapter is from the book
This chapter is from the book
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If you’re living your life and you think to yourself, “Ya know, I’ve got it pretty easy,” then it’s time to shoot a wedding.
Don’t worry—this isn’t something you’re going to have to go looking for—if you’ve got even one long lens (200mm or longer),
it will find you. That’s because in a lot of people’s minds, if you have a long lens, you’re a serious photographer. It’s
true. Seriously, try this: show up at an event with a 200mm to 400mm lens on your camera and people will literally get out
of your way. They assume you’ve been hired by the event and that you’re on official photography business, and they will stand
aside to let you shoot. It’s the equivalent of walking into a factory with a clipboard—people assume you’re legit and they
let you go about your business. Add a photographer’s vest and it’s like having an official press pass to anything (try this
one—you’ll be amazed). Anyway, if you have a long lens, before long someone you know will get married but they won’t have
a budget for a professional photographer (like your cousin Earl). He’ll ask, “Can you shoot our wedding photos?” Of course,
you’re a nice person and you say, “Why sure.” Big mistake. You’re going to work your butt off, miss all the food, drinks,
and fun, and you’ll experience stress at a level only NORAD radar operators monitoring North Korea ever achieve. A wedding
ceremony happens once in real time. There are no second takes, no room for mess-ups, no excuses. Don’t make Earl’s bride really
mad—read this chapter first.
The Trick for Low-Light Shooting in a Church
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Although you usually should use a tripod when shooting the formals (the group shots after the ceremony with the bride, groom, family members, etc.), when shooting the wedding ceremony in a low-light situation like a church, you’ll often need to hand-hold your shots. This is a problem because hand-holding in low-light situations is almost a guarantee of having blurry photos (because of the slow shutter speeds of low-light situations). So, how do the pros get those crisp low-light shots in a setting like a church? Two things: (1) they increase their digital camera’s ISO (the digital film speed). Today’s digital SLR cameras (in particular, the Nikons and Canons) let you shoot at very high ISOs with little visible noise. So how high can you go? At least ISO 800 (see Canon LCD panel above), but you can usually get away with as high as ISO 1600 in most situations. This lets you get away with hand-holding in the low light of a church, while avoiding the camera shake you’d get at ISO 100 or 200. (2) They shoot with their fastest lens (your lens with the largest available f-stop, like f/1.4, f/2.8, or f/3.5), which lets in more available light, allowing you to shoot in lower light without blurring your images.