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Adobe Photoshop

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Harnessing the Power of Photoshop Selections
May 16, 2003
Photoshop provides an assortment of tools for selecting the portion of the image with which you want to work. Gary Bouton explains them here.
Dust, Mold, and Texture Removal in Photoshop
May 2, 2003
In this sample chapter you'll face the worst problems and learn the best techniques to rescue your images from the evils that lurk in historical negatives, glass plates, prints, contemporary film, and digital images.
Creating a Number Tile Effect in Photoshop
Feb 14, 2003
You can create stunning and unusual type effects in Photoshop using nothing more than its standard set of features. Roger Pring demonstrates one such effect - a ceramic tile.
Creating Grass in Photoshop Using Custom Brush Presets
Feb 7, 2003
Learn how to create grass in Photoshop using custom brush presets with Bert Monroy.
Liquid Painting in Photoshop
Jan 31, 2003
Liquefy your assets for luscious backgrounds and fluid abstract effects.
Advanced Techniques with the Art History Brush
Dec 20, 2002
Tired of retouching and correcting images? Rhoda Grossman discusses the exciting challenge of the Art History Brush and the unpredictability that seems built within it.
Color Spaces, Device Characterization, and Color Management in Photoshop 7
Dec 20, 2002
This sample chapter provides an overview of how we see color, measure color, calibrate color scanners, monitors and printers, and what color working spaces and file bit-depths to use in Photoshop.
Lights and Shadows in Photoshop
Dec 20, 2002
Trying to re-create the interaction of the play of light on objects is always an enjoyable challenge. Here Bert Monroy offers some tips and techniques for doing just that in Photoshop.
Making a Painting from a Photo
Dec 20, 2002
This article explores turning a photorealistic image into a painting using Photoshop 7.
Making Great Prints in Photoshop
Dec 20, 2002
Learn how to make the best prints with your printer and how to edit profiles with profile editors and/or Photoshop Adjustment Layers.
Creating Stunning Panoramas with Photoshop Elements
Dec 13, 2002
Learn how to use Photoshop Elements' Photomerge feature to create panoramas.
Photoshop 7 Layers and Shapes
Dec 13, 2002
Learn all about using layers and vector masks in Photoshop 7 to work more efficiently.
Photoshop 7 Special Effects
Dec 13, 2002
Scott Kelby toyed with other names like "Zowie-wowie effects," "Turbo-mondo spasmatic effects," and even "Intergalactic alien death-ray effects," but those names just weren't special enough for the effects he had planned for this sample chapter.
Creating Selections in Photoshop 7
Dec 6, 2002
This sample chapter covers the creation of selections in Photoshop using the Rectangular Marquee, Elliptical Marquee, Lasso, Polygonal Lasso, Magic Wand, and Magnetic Lasso tools, as well as the Color Range and Extract commands.
Essential Photoshop Tips and Tricks
Dec 6, 2002
In this article, David Blatner and Bruce Fraser visit the depths of Photoshop to bring you valuable tips and tricks.
Compositing an Imaginary Place with Photoshop
Nov 29, 2002
See how an idea for a client turned into a new method for creating imaginary places as Sharon Steuer pieces together digital snapshots in Photoshop to create an original composition.
Creating and Managing Images with Photoshop Elements
Nov 22, 2002
This sample chapter shows you how to get your images into Photoshop Elements and offers some basic guidelines on adjusting an image's size and resolution.
Photoshop 7 Interface Design
Nov 22, 2002
This sample chapter will help you develop the understanding and skills needed to create highly professional-looking interface elements for your website.
Simulating Film Grain in Photoshop 7
Nov 22, 2002
Create an ethereal artistic effect in your images by simulating the graininess of film. Here's a quick and dirty Photoshop 7 design tip that you can start using right away!
Photoshop Layer Sets
Apr 5, 2002
Photoshop 6 Artistry co-author Sean Duggan shows how to make the most of Photoshop 6's Layer Sets to create order out of the chaos of crowded, cluttered layer palettes.

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