Shoot Weddings Like a Pro: There Is No Retaking Wedding Photos. It’s Got to Be Right the First Time!
- The Trick for Low-Light Shooting in a Church
- Getting Soft, Diffused Light with Flash, Part 1
- Getting Soft, Diffused Light with Flash, Part 2
- Use Your Flash at Outdoor Weddings
- Keep Backup Memory Cards on You
- Formals: Who to Shoot First
- Formals: Where to Aim
- The Trick to Keeping Them from Blinking
- Reception Photos: Making Them Dance
- Your Main Job: Follow the Bride
- Formals: How High to Position Your Camera
- Formals: Dont Cut Off Joints
- Formals: Build Off the Bride and Groom
- Formals: The Trick to Great Backgrounds
- Shooting the Details (& Which Ones to Shoot)
- Change Your Vantage Point to Add Interest
- Finding That Perfect Bridal Light
- How to Pose the Bride with Other People
- What to Shoot with a Wide-Angle Lens
- Back Up Your Photos Onsite
- If Shooting JPEGs, Use a Preset White Balance
Formals: Don’t Cut Off Joints
When you’re framing your formals in your viewfinder, for a more professional look, be careful not to cut off anyone at the joints (in other words, don’t let the bottom of the frame cut anyone off at the elbow or knee. On the side of the frame, don’t cut anyone off at the wrist or elbow either). Basically, stay away from the joints. If you have to crop an arm or leg off, try to do it as close to the middle of the arm or leg as possible, staying clear of the joints. ‘Nuf said.