Shoot Weddings Like a Pro: There Is No Retaking Wedding Photos. It’s Got to Be Right the First Time!
- The Trick for Low-Light Shooting in a Church
- Getting Soft, Diffused Light with Flash, Part 1
- Getting Soft, Diffused Light with Flash, Part 2
- Use Your Flash at Outdoor Weddings
- Keep Backup Memory Cards on You
- Formals: Who to Shoot First
- Formals: Where to Aim
- The Trick to Keeping Them from Blinking
- Reception Photos: Making Them Dance
- Your Main Job: Follow the Bride
- Formals: How High to Position Your Camera
- Formals: Dont Cut Off Joints
- Formals: Build Off the Bride and Groom
- Formals: The Trick to Great Backgrounds
- Shooting the Details (& Which Ones to Shoot)
- Change Your Vantage Point to Add Interest
- Finding That Perfect Bridal Light
- How to Pose the Bride with Other People
- What to Shoot with a Wide-Angle Lens
- Back Up Your Photos Onsite
- If Shooting JPEGs, Use a Preset White Balance
Formals: Build Off the Bride and Groom
There’s a popular format for creating all your formals—have the bride and groom in the center, and have them stay put. They don’t move—instead you have groups of other people (bridesmaids, groomsmen, the best man, maid of honor, parents, grandparents, etc.) move in and out around them. Use the bride and groom as building blocks and everything will be much easier (well, as far as posing your large groups goes anyway).